![]() ![]() This is a dystopian techno-future where the primary source of light is no longer the sun: like everything in this world, light is manmade.īecause of this, the source of light in most scenes is practical lighting, or, in other words, originating from elements within the story. If you’ve ever set up lighting before, you know just how hard (and expensive) this is to pull off practically, not to mention the headaches it can create in the editing room.īut the shifting lighting throughout Blade Runner 2049 is crucial to its visual palette. ![]() After 14 nominations over 23 years, the beloved cinematographer has taken home the big award thanks. There are hardly any scenes with totally stationary lighting. British director of photography finally wins the Academy award for blockbuster sci-fi film after falling short 13 times previously. At long last, Roger Deakins is an Oscar winner, taking home the award for Best Cinematography. The most notable aspect of the lighting in the Blade Runner 2049 cinematography is just how much it moves. Remember how we said half of cinematography is mise en scene? Well, the other half is lighting, and Roger Deakins pulls no punches in this field either. Roger Deakins Blade Runner 2049 Cinematography Create dynamism with practical lighting Roger Deakins was the Susan Lucci of cinematographers for having the most number of Best Cinematography Oscar nominations (13) before he finally won for Blade Runner 2049 (his 14th). ![]()
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